Considering that the book was written by a woman in 1878, the attitudes of men toward women are the most fascinating, and funny features of the story. Men seem torn between their requirement to treat women paternalistically and their admission to a weakness for the mysterious hold women have over men's attentions by way of their beauty and mercurial personalities. Men are confused by the vulnerable weaknesses women could display and bewildered by the possibility of a devious intent. They can't seem to trust their own instincts and don't know how to read or trust women.
They seem to suspect a greater strength of backbone in women than they are prepared to cope with. The men of authority are baffled by the behavior of women and can't decide if they are weak little hot house flowers, or great actresses and if they are using feminine wiles to conceal the truth. Therefore, the women feel free to indulge themselves in a great deal of hysterical melodrama to manipulate the men. The authorities are caught between a rock and a hard place because they can't treat the women as they would men in a situation regarding murder because the women can always play the gender card which shames the men into backing down. How things have changed in the world of crime and punishment. Gender equality didn't exist in 1878. Women in today's world could never get away with the self-indulgent "drama queen" behavior of the Nineteenth Century.
I am usually a speed reader but I "brake" for interesting and unusual prose. Not to sound too pompous, but I found the diction of this book created an interesting cadence to the prose. For example, instead of saying "I said" the lawyer says "I essayed." Another phrase of many that caught my eye was, " The authorities evidently repose great confidence in him." I learned a new word--amanuensis.
The plot was intriguing, the social mores hilarious, and the use of language in the Nineteenth Century kept me entertained. Now I am on a quest for more of her work. Project Gutenberg has her works available for free downloads.
While wandering the collection at the Brandywine River Museum, an inspiring discovery caught my eye. The above painting is called The Women in Business, which was painted in 1897 by Alice Barber Stephens. It was an illustration for a cover of The Ladies Home Journal in 1897 for a series called "The American Woman." Women in the late 19th Century were entering the work force in a number of roles (other than as servants) and this illustration is a social commentary on the lives of women at that time. It was acceptable in those days for women to be clerks, without male chaperones, in upper class departments stores like the old Wanamaker's in Philadelphia where women of leisure spent time. The customers could sit, but clerks were required to stand. She features a plainly-dressed little girl in the foreground who is a gopher for the store and is contrasted with a privileged, well-dressed little girl in the background. There were no child labor laws in this country until 1938. Sometimes women in jobs of that era were required to be unmarried or subjected to other controlling laws. The dictates of society required lots of rules to control those women, or who knows what could happen.
Alice Barber Stephens (1858-1932) was a trail blazer in her time in history. Born a Quaker in New Jersey, she was a full time student at the Philadelphia School of Design for Women (now Moore College of Art). She became proficient at engraving, an important skill in the days before photo-mechanical reproduction. In 1876, she enrolled at the Pennsylvania Academy of the Fine Arts, where she studied under Thomas Eakins. She even began a class where women could learn to draw the human form from nude models. 1879 - Female Life Class:
Many of the works of this fascinating artist can be viewed at the Library of Congress, American Memory location. It is easy to see her uniquely female view of society and the role of women in it. She focuses on domestic subjects such as a women giving piano lessons, or children, and husbands, or women gardening. In 1918, she painted Somebody has to raise everything you eat, do your share:
She also illustrated books written by other women of her time period such as The Mayor's Wife, by Anna Katharine Green (1846-1935). It is a wonderful story that can be read online. She was another impressive woman pioneer.
Having grown up in the middle of the 20th Century, following World War II, it was very apparent to me that women were getting the message to give back the jobs gained during the war so men could take those jobs to support families. Many women didn't drive automobiles, or work outside the home. They moved from their father's home to their husband's home. Even during the Fifties and Sixties, car loans were to be co-signed by males and a woman signing an apartment lease was a rare occurrence. I remember in 1966, I went to a grocery store along with my fiance to buy some things for my mother. I was student teaching at a school nearby and ran into a teacher from that school. She grilled me on who he was, where he lived and why were we in a grocery store buying groceries because I might be living with him "in sin" as the underlying implication. It was none of her business, but I wanted my college degree, so I couldn't tell her that. When I look at the circumstances of women today compared to a hundred years ago (or even fifty years ago), we've come a long way thanks to the efforts of women pioneers like Alice Barber Stephens and Anna Katharine Green.
